Does any story make sense of it all?
Sunday, November 13, 2011 at 9:12PM
I opened my eyes. Had I been conscious all this time or was it simply the aftermath of a terrible dream?
In any case, I was now most definitely awake and, in the most silent hour of the night, still moving closer to the edge; daring myself with each premeditated step to look into the infinite abyss that now lay just a little way ahead of me.
My heart was racing, causing my body to perspire more than it should. Breathe was short and hard to catch. A sign a panic, no doubt.
It took a few minutes, especially in this state, but I managed to crawl far enough to catch a glimpse of what, for as long as I can recall, had consumed me with a sinking feeling of absolute dread.
I saw myself and my future; a future, decades, centuries, millennia from now; when I am no longer even a memory; when my footprint on this earth and every one of my best efforts have been obliterated by the winds of time.
I saw the terrifying fact of my eternal non-existence and felt the sinking dread of my humanity, facing up to the realization that none of this actually matters. At least, not in the grandest scheme of things.
Like the brightness of the noonday sun, it was impossible to look at directly. Short, terrifying glimpses, viewed from the corner of my hand, with my hands covering my face, were as much as I could muster.
It was morning now and, even if the sun had not begun to rise, I had a train to catch. Already packed, I reached for the book that was still unread beside my bed and headed straight for the station, headed for London - a city that lives, breathes and sells a very different kind of story about the way things are.
The book's introduction, after the night I had, intrigued me. It was dedicated to a family member - and all others like him - that felt that their life on earth had been unimportant and without meaning, significance or love.
I was already gripped and happy to indulge in the tale of an old man and the people he meets immediately in the the 'days' following his death, after an accident at the fairground where he worked until the age of 83. Eddie, I discover, lived an unimportant life and, yet, each one of these post mortem encounters is singularly designed to help him make sense of his life, bring meaning and perspective, and understand the story of who he was from some more central region. Heaven, in short, is the opportunity to fit together the broken fragments of his life once and for all.
It could be said (and no doubt someone, somewhere, already did) that Mitch Albom's best-selling book, The Five People You Meet In Heaven, is nothing more than a sentimental attempt to postpone my fear until such time as I am no longer able to feel at all. Perhaps. But, still, it certainly left me thinking.
Three simple, loosely tangled, thoughts:
1. The power of a single story lies in its ultimate connectivity. 'No story sits by itself,' says Albom, 'Sometimes stories meet at corners and sometimes they cover one another completely, like stones beneath a river.' If I look at myself, whichever way I look, I will always find a fragile story of almost utter insignificance, But it's not just me is it? My story, as Albom illustrates beautifully in Eddie's meeting with the Blue Man, is inextricably bound up with those around me and reaches across space and time - each voice joining another, until finally the chorus of dissent against the abyss is harder to ignore. That is the beauty of the crowd. And, in the history of the universe, humanity will at the very least declare itself to be a 'moment' of energy and unparalleled beauty accompanied by the orchestra of the natural world (or perhaps the other way around). 'The world is full of stories,' Albom concludes, 'but the stories are all one.' We learned from our ancient predecessors the importance of knowing ourselves. What they forgot to say is that every one of the stones that today make up the sands of our time come from somewhere.
2. There is one story that covers us - defines us - almost completely from our beginning until our end. 'All parents damage their children,' says Albom as Eddie comes to understand better his relationship with his father. 'It cannot be helped, Youth, like pristine glass, absorbs the prints of its handlers. Some parents smudge, others crack, a few shatter childhoods completely into jagged little pieces, beyond repair.' As I get off the train and fall again into the arms of my adorable, teenage son. I look for signs of wear and tear; smudge marks left by my carelessness and selfish ambition. Later in the day, he tells me that he is stressed because something about his mobile phone bill is not quite right. He is the victim of a cheap phone scam. I see his anxiety and recognize myself in his reaction. At the same time, in that moment, I remember my night and how, in the ultimate end, this moment will not and should not define how he feels about himself and who he is. I want to do nothing else except pull him close and wipe away all of the heaviness from his heart. Forever. I refuse to let him wait until his time has passed before understanding how much he is totally and utterly loved. My beautiful boy.
3. If I am in control of my own story, I'd rather meet my five on earth. The point, in the end, is a pragmatic one. If I'm honest, I don't actually know if I'll have a chance to meet my top five after my sand has run out. And I'm not sure I get the opportunity to help others understand quite how much they influenced, inspired and loved me along the way. So I'd rather play it safe and start now. That way, when my day comes and I am required, for better or for worse, to jump into the abyss - I will do so knowing that I have lent my voice to the chorus of this wonderful life and sung my heart out from the cheap seats at the back.
Eddie's death at the age of 83 was unexpected but predictable:
A stunning impact.
A blinding flash of light.
And then, nothing.
But, then again, Albom explains, every story has at least two different angles. So who knows how to make sense of it all?









